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ISRC

DEF058803354

Kindertotenlieder: 4. Oft denkʼ ich, sie sind nur ausgegangen

Song: Kindertotenlieder: IV. “Oft denk’ ich, sie sind nur ausgegangen”

Wiener PhilharmonikerLeonard BernsteinThomas Hampson
unmatchedNot yet matched in the MLC database
Released 1989-01-01

Last verified:

DEF058803354 is the International Standard Recording Code (ISRC) for the recording "Kindertotenlieder: 4. Oft denkʼ ich, sie sind nur ausgegangen" by Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson, released 1989-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
88Year (1988)
03354Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1988):
Last two digits of the reference year (1988). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Kindertotenlieder: 4. Oft denkʼ ich, sie sind nur ausgegangen" by Wiener Philharmoniker?
The ISRC for "Kindertotenlieder: 4. Oft denkʼ ich, sie sind nur ausgegangen" by Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson is DEF058803354.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF058803354?

DEF058803354 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Kindertotenlieder: 4. Oft denkʼ ich, sie sind nur ausgegangen" by Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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