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ISRC

DEF059103796

The Wooden Prince: Fifth Dance: The Princess Pulls and Tugs at the Wooden Prince

Song: The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance

Chicago Symphony OrchestraPierre Boulez
Released 1992-01-01

Last verified:

DEF059103796 is the International Standard Recording Code (ISRC) for the recording "The Wooden Prince: Fifth Dance: The Princess Pulls and Tugs at the Wooden Prince" by Chicago Symphony Orchestra, Pierre Boulez, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
91Year (1991)
03796Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "The Wooden Prince: Fifth Dance: The Princess Pulls and Tugs at the Wooden Prince" by Chicago Symphony Orchestra?
The ISRC for "The Wooden Prince: Fifth Dance: The Princess Pulls and Tugs at the Wooden Prince" by Chicago Symphony Orchestra, Pierre Boulez is DEF059103796.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF059103796?

DEF059103796 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Wooden Prince: Fifth Dance: The Princess Pulls and Tugs at the Wooden Prince" by Chicago Symphony Orchestra, Pierre Boulez. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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