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ISRC

DEF059430554

Le nozze di Figaro, K.492: Act 3 - "Riconosci in questo amplesso"

Song: Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro)

Wiener PhilharmonikerClaudio Abbado
Released 1995-01-01

Last verified:

DEF059430554 is the International Standard Recording Code (ISRC) for the recording "Le nozze di Figaro, K.492: Act 3 - "Riconosci in questo amplesso"" by Wiener Philharmoniker, Claudio Abbado, released 1995-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
94Year (1994)
30554Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1994):
Last two digits of the reference year (1994). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Le nozze di Figaro, K.492: Act 3 - "Riconosci in questo amplesso"" by Wiener Philharmoniker?
The ISRC for "Le nozze di Figaro, K.492: Act 3 - "Riconosci in questo amplesso"" by Wiener Philharmoniker, Claudio Abbado is DEF059430554.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF059430554?

DEF059430554 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Le nozze di Figaro, K.492: Act 3 - "Riconosci in questo amplesso"" by Wiener Philharmoniker, Claudio Abbado. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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