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ISRC

FR6V82416623

(WHEN SHE WANTS GOOD LOVIN') MY BABY COMES TO ME [REMASTERED]

Song: (WHEN SHE WANTS GOOD LOVIN') MY BABY COMES TO ME

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FR6V82416623 is the International Standard Recording Code (ISRC) for the recording "(WHEN SHE WANTS GOOD LOVIN') MY BABY COMES TO ME [REMASTERED]". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MIKE STOLLER, JERRY LEIBER.

Format

FRCountry
6V8Registrant
24Year (2024)
16623Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC(WHEN SHE WANTS GOOD LOVIN') MY BABY COMES TO ME [REMASTERED]
IPIMIKE STOLLER

Related

Songwriter profiles

MIKE STOLLERIPIJERRY LEIBERIPI

People also ask

What is the ISRC for "(WHEN SHE WANTS GOOD LOVIN') MY BABY COMES TO ME [REMASTERED]"?
The ISRC for "(WHEN SHE WANTS GOOD LOVIN') MY BABY COMES TO ME [REMASTERED]" is FR6V82416623.
Who wrote "(WHEN SHE WANTS GOOD LOVIN') MY BABY COMES TO ME [REMASTERED]"?
"(WHEN SHE WANTS GOOD LOVIN') MY BABY COMES TO ME [REMASTERED]" was written by MIKE STOLLER, JERRY LEIBER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR6V82416623?

FR6V82416623 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "(WHEN SHE WANTS GOOD LOVIN') MY BABY COMES TO ME [REMASTERED]". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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