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ISRC

GBAYC1601037

Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Introduction

Song: The Sleeping Beauty, op. 66: Prolog. No. 3 Pas de six: Introduction

London Symphony OrchestraAndré Previn
Released 2009-01-01

Last verified:

GBAYC1601037 is the International Standard Recording Code (ISRC) for the recording "Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Introduction" by London Symphony Orchestra, André Previn, released 2009-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
16Year (2016)
01037Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Introduction" by London Symphony Orchestra?
The ISRC for "Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Introduction" by London Symphony Orchestra, André Previn is GBAYC1601037.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC1601037?

GBAYC1601037 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Introduction" by London Symphony Orchestra, André Previn. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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