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ISRC

GBAYC1601063

Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Dance (Allegro non troppo)

Song: The Sleeping Beauty, op. 66: Acte II, no. 13. Farandole: b. Danse

London Symphony OrchestraAndré Previn
Released 2009-01-01

Last verified:

GBAYC1601063 is the International Standard Recording Code (ISRC) for the recording "Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Dance (Allegro non troppo)" by London Symphony Orchestra, André Previn, released 2009-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
16Year (2016)
01063Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Dance (Allegro non troppo)" by London Symphony Orchestra?
The ISRC for "Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Dance (Allegro non troppo)" by London Symphony Orchestra, André Previn is GBAYC1601063.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC1601063?

GBAYC1601063 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Dance (Allegro non troppo)" by London Symphony Orchestra, André Previn. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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