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ISRC

GBAYC8803660

Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N. (Basil G. Nevinson)

Song: Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante)

Philharmonia OrchestraSir John Barbirolli
Released 1963-01-01

Last verified:

GBAYC8803660 is the International Standard Recording Code (ISRC) for the recording "Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N. (Basil G. Nevinson)" by Philharmonia Orchestra, Sir John Barbirolli, released 1963-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
88Year (1988)
03660Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1988):
Last two digits of the reference year (1988). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N. (Basil G. Nevinson)" by Philharmonia Orchestra?
The ISRC for "Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N. (Basil G. Nevinson)" by Philharmonia Orchestra, Sir John Barbirolli is GBAYC8803660.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC8803660?

GBAYC8803660 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N. (Basil G. Nevinson)" by Philharmonia Orchestra, Sir John Barbirolli. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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