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ISRC

GBAYC9101458

The Swan Lake Suite, op. 20a: IV. Introduction & Danse de la reine des cygnes (Act III)

Song: The Swan Lake (suite from the ballet), op. 20a: IV. Scène

Philharmonia OrchestraHerbert von Karajan
Released 1990-01-01

Last verified:

GBAYC9101458 is the International Standard Recording Code (ISRC) for the recording "The Swan Lake Suite, op. 20a: IV. Introduction & Danse de la reine des cygnes (Act III)" by Philharmonia Orchestra, Herbert von Karajan, released 1990-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
91Year (1991)
01458Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "The Swan Lake Suite, op. 20a: IV. Introduction & Danse de la reine des cygnes (Act III)" by Philharmonia Orchestra?
The ISRC for "The Swan Lake Suite, op. 20a: IV. Introduction & Danse de la reine des cygnes (Act III)" by Philharmonia Orchestra, Herbert von Karajan is GBAYC9101458.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC9101458?

GBAYC9101458 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Swan Lake Suite, op. 20a: IV. Introduction & Danse de la reine des cygnes (Act III)" by Philharmonia Orchestra, Herbert von Karajan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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