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ISRC

GBBBC2200526

Die Walküre: Zweiter Aufzug. "Nun zäume dein Ross, reisige Maid" (Wotan, Brünnhilde)

Song: Die Walküre, WWV 86B: Akt II, Scene I "Nun zäume dein Roß, reisige Maid"

Wiener PhilharmonikerSir Georg Solti
Released 1983-01-01

Last verified:

GBBBC2200526 is the International Standard Recording Code (ISRC) for the recording "Die Walküre: Zweiter Aufzug. "Nun zäume dein Ross, reisige Maid" (Wotan, Brünnhilde)" by Wiener Philharmoniker, Sir Georg Solti, released 1983-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BBCRegistrant
22Year (2022)
00526Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Die Walküre: Zweiter Aufzug. "Nun zäume dein Ross, reisige Maid" (Wotan, Brünnhilde)" by Wiener Philharmoniker?
The ISRC for "Die Walküre: Zweiter Aufzug. "Nun zäume dein Ross, reisige Maid" (Wotan, Brünnhilde)" by Wiener Philharmoniker, Sir Georg Solti is GBBBC2200526.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBBC2200526?

GBBBC2200526 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Die Walküre: Zweiter Aufzug. "Nun zäume dein Ross, reisige Maid" (Wotan, Brünnhilde)" by Wiener Philharmoniker, Sir Georg Solti. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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