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ISRC

GBBBC2200751

Siegfried: Zweiter Aufzug. "Aber, wie sah meine Mutter wohl aus" (Siegfried)

Song: Siegfried, WWV 86C: Akt II, Scene II "Wir sind zur Stelle; bleib’ hier steh’n!"

Wiener PhilharmonikerSir Georg Solti
Released 1963-01-01

Last verified:

GBBBC2200751 is the International Standard Recording Code (ISRC) for the recording "Siegfried: Zweiter Aufzug. "Aber, wie sah meine Mutter wohl aus" (Siegfried)" by Wiener Philharmoniker, Sir Georg Solti, released 1963-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BBCRegistrant
22Year (2022)
00751Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Siegfried: Zweiter Aufzug. "Aber, wie sah meine Mutter wohl aus" (Siegfried)" by Wiener Philharmoniker?
The ISRC for "Siegfried: Zweiter Aufzug. "Aber, wie sah meine Mutter wohl aus" (Siegfried)" by Wiener Philharmoniker, Sir Georg Solti is GBBBC2200751.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBBC2200751?

GBBBC2200751 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Siegfried: Zweiter Aufzug. "Aber, wie sah meine Mutter wohl aus" (Siegfried)" by Wiener Philharmoniker, Sir Georg Solti. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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