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ISRC

GBF077741449

The Sleeping Beauty: Act III: no. 27: Pas berrichon (Hop 'o my Thumb)

Song: The Sleeping Beauty, op. 66: Acte III, no. 27. Pas berrichon: Le Petit Poucet, ses frères et l’Ogre

National Philharmonic OrchestraRichard Bonynge
Released 1999-01-01

Last verified:

GBF077741449 is the International Standard Recording Code (ISRC) for the recording "The Sleeping Beauty: Act III: no. 27: Pas berrichon (Hop 'o my Thumb)" by National Philharmonic Orchestra, Richard Bonynge, released 1999-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
77Year (1977)
41449Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1977):
Last two digits of the reference year (1977). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "The Sleeping Beauty: Act III: no. 27: Pas berrichon (Hop 'o my Thumb)" by National Philharmonic Orchestra?
The ISRC for "The Sleeping Beauty: Act III: no. 27: Pas berrichon (Hop 'o my Thumb)" by National Philharmonic Orchestra, Richard Bonynge is GBF077741449.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF077741449?

GBF077741449 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Sleeping Beauty: Act III: no. 27: Pas berrichon (Hop 'o my Thumb)" by National Philharmonic Orchestra, Richard Bonynge. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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