ISRC

NLA506610024

Jeux d'enfants, Op. 22 WD 56 - Petite Suite : 4. Duo: Petit mari, petite femme

Song: Petite Suite d'orchestre (Jeux d'enfants), op. 22: IV. Duo. Petit mari, petite femme

USSR Symphony OrchestraIgor Markevitch
Released 2021-08-27

Last verified:

NLA506610024 is the International Standard Recording Code (ISRC) for the recording "Jeux d'enfants, Op. 22 WD 56 - Petite Suite : 4. Duo: Petit mari, petite femme" by USSR Symphony Orchestra, Igor Markevitch, released 2021-08-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
66Year (1966)
10024Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1966):
Last two digits of the reference year (1966). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Jeux d'enfants, Op. 22 WD 56 - Petite Suite : 4. Duo: Petit mari, petite femme" by USSR Symphony Orchestra?
The ISRC for "Jeux d'enfants, Op. 22 WD 56 - Petite Suite : 4. Duo: Petit mari, petite femme" by USSR Symphony Orchestra, Igor Markevitch is NLA506610024.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA506610024?

NLA506610024 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Jeux d'enfants, Op. 22 WD 56 - Petite Suite : 4. Duo: Petit mari, petite femme" by USSR Symphony Orchestra, Igor Markevitch. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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