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ISRC

NLA507000375

Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz

Song: Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz"

Hermann PreyConcertgebouworkestBernard Haitink
Released 1996-02-12

Last verified:

NLA507000375 is the International Standard Recording Code (ISRC) for the recording "Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz" by Hermann Prey, Concertgebouworkest, Bernard Haitink, released 1996-02-12. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
70Year (1970)
00375Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1970):
Last two digits of the reference year (1970). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz" by Hermann Prey?
The ISRC for "Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz" by Hermann Prey, Concertgebouworkest, Bernard Haitink is NLA507000375.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA507000375?

NLA507000375 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz" by Hermann Prey, Concertgebouworkest, Bernard Haitink. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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