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Missa in C minor, K. 427 "Great Mass": Sanctus: Sanctus album cover

ISRC

NLA507100191

Missa in C minor, K. 427 "Great Mass": Sanctus: Sanctus

Song: Missa in C minor K. 427/417a: Sanctus: Sanctus

London Symphony ChorusLondon Symphony OrchestraSir Colin Davis
Released 1994-01-18

Last verified:

NLA507100191 is the International Standard Recording Code (ISRC) for the recording "Missa in C minor, K. 427 "Great Mass": Sanctus: Sanctus" by London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis, released 1994-01-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
71Year (1971)
00191Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1971):
Last two digits of the reference year (1971). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Missa in C minor, K. 427 "Great Mass": Sanctus: Sanctus" by London Symphony Chorus?
The ISRC for "Missa in C minor, K. 427 "Great Mass": Sanctus: Sanctus" by London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis is NLA507100191.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA507100191?

NLA507100191 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Missa in C minor, K. 427 "Great Mass": Sanctus: Sanctus" by London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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