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ISRC

NLA508701706

Johannes-Passion, BWV 245: Erster Teil, Nr. 6 Evangelist: Die Schar aber und der Oberhauptmann

Song: Johannes-Passion, BWV 245: Teil I. No. 6 "Die Schar aber und der Oberhauptmann" (Evangelista)

Peter Schreier
Released 1988-01-01

Last verified:

NLA508701706 is the International Standard Recording Code (ISRC) for the recording "Johannes-Passion, BWV 245: Erster Teil, Nr. 6 Evangelist: Die Schar aber und der Oberhauptmann" by Peter Schreier, released 1988-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
87Year (1987)
01706Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1987):
Last two digits of the reference year (1987). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Johannes-Passion, BWV 245: Erster Teil, Nr. 6 Evangelist: Die Schar aber und der Oberhauptmann" by Peter Schreier?
The ISRC for "Johannes-Passion, BWV 245: Erster Teil, Nr. 6 Evangelist: Die Schar aber und der Oberhauptmann" by Peter Schreier is NLA508701706.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA508701706?

NLA508701706 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Johannes-Passion, BWV 245: Erster Teil, Nr. 6 Evangelist: Die Schar aber und der Oberhauptmann" by Peter Schreier. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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