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ISRC

NLA509000809

Mass in B minor, BWV 232: Gloria: IX. Qui tollis peccata mundi

Song: h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi

MDR Leipzig Radio ChorusStaatskapelle DresdenPeter Schreier
Released 1992-02-19

Last verified:

NLA509000809 is the International Standard Recording Code (ISRC) for the recording "Mass in B minor, BWV 232: Gloria: IX. Qui tollis peccata mundi" by MDR Leipzig Radio Chorus, Staatskapelle Dresden, Peter Schreier, released 1992-02-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
90Year (1990)
00809Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1990):
Last two digits of the reference year (1990). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Mass in B minor, BWV 232: Gloria: IX. Qui tollis peccata mundi" by MDR Leipzig Radio Chorus?
The ISRC for "Mass in B minor, BWV 232: Gloria: IX. Qui tollis peccata mundi" by MDR Leipzig Radio Chorus, Staatskapelle Dresden, Peter Schreier is NLA509000809.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA509000809?

NLA509000809 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Mass in B minor, BWV 232: Gloria: IX. Qui tollis peccata mundi" by MDR Leipzig Radio Chorus, Staatskapelle Dresden, Peter Schreier. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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