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ISRC

QMVRR1630886

"STOP! IN THE NAME OF LOVE (FROM ""SUPER BOWL 30"")"

Song: STOP IN THE NAME OF LOVE

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QMVRR1630886 is the International Standard Recording Code (ISRC) for the recording ""STOP! IN THE NAME OF LOVE (FROM ""SUPER BOWL 30"")"". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BRIAN HOLLAND, LAMONT HERBERT DOZIER, EDWARD JR. HOLLAND.

Format

QMCountry
VRRRegistrant
16Year (2016)
30886Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC"STOP! IN THE NAME OF LOVE (FROM ""SUPER BOWL 30"")"
IPIBRIAN HOLLAND

Related

Songwriter profiles

BRIAN HOLLANDIPILAMONT HERBERT DOZIERIPIEDWARD JR. HOLLANDIPI

People also ask

What is the ISRC for ""STOP! IN THE NAME OF LOVE (FROM ""SUPER BOWL 30"")""?
The ISRC for ""STOP! IN THE NAME OF LOVE (FROM ""SUPER BOWL 30"")"" is QMVRR1630886.
Who wrote ""STOP! IN THE NAME OF LOVE (FROM ""SUPER BOWL 30"")""?
""STOP! IN THE NAME OF LOVE (FROM ""SUPER BOWL 30"")"" was written by BRIAN HOLLAND, LAMONT HERBERT DOZIER, EDWARD JR. HOLLAND.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMVRR1630886?

QMVRR1630886 is an International Standard Recording Code (ISRC) that uniquely identifies the recording ""STOP! IN THE NAME OF LOVE (FROM ""SUPER BOWL 30"")"". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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