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ISRC

SEAEO0681060

Cantata, BWV 91 "Gelobet seist du, Jesu Christ": VI. Chorale "Das hat er alles uns getan"

Song: Kantate, BWV 91 "Gelobet seist du, Jesu Christ": VI. Choral "Das hat er alles uns getan"

Masaaki SuzukiBach Collegium Japan
Released 2006-05-28

Last verified:

SEAEO0681060 is the International Standard Recording Code (ISRC) for the recording "Cantata, BWV 91 "Gelobet seist du, Jesu Christ": VI. Chorale "Das hat er alles uns getan"" by Masaaki Suzuki, Bach Collegium Japan, released 2006-05-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
AEORegistrant
06Year (2006)
81060Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Cantata, BWV 91 "Gelobet seist du, Jesu Christ": VI. Chorale "Das hat er alles uns getan"" by Masaaki Suzuki?
The ISRC for "Cantata, BWV 91 "Gelobet seist du, Jesu Christ": VI. Chorale "Das hat er alles uns getan"" by Masaaki Suzuki, Bach Collegium Japan is SEAEO0681060.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEAEO0681060?

SEAEO0681060 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Cantata, BWV 91 "Gelobet seist du, Jesu Christ": VI. Chorale "Das hat er alles uns getan"" by Masaaki Suzuki, Bach Collegium Japan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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