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ISRC

SEAET1281120

Der Herr ist mein getreuer Hirt, BWV 112: V. Choral "Gutes und die Barmherzigkeit"

Song: Kantate, BWV 112 "Der Herr ist mein getreuer Hirt": V. Choral "Gutes und die Barmherzigkeit"

Masaaki SuzukiBach Collegium Japan
Released 2012-11-01

Last verified:

SEAET1281120 is the International Standard Recording Code (ISRC) for the recording "Der Herr ist mein getreuer Hirt, BWV 112: V. Choral "Gutes und die Barmherzigkeit"" by Masaaki Suzuki, Bach Collegium Japan, released 2012-11-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
AETRegistrant
12Year (2012)
81120Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Der Herr ist mein getreuer Hirt, BWV 112: V. Choral "Gutes und die Barmherzigkeit"" by Masaaki Suzuki?
The ISRC for "Der Herr ist mein getreuer Hirt, BWV 112: V. Choral "Gutes und die Barmherzigkeit"" by Masaaki Suzuki, Bach Collegium Japan is SEAET1281120.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEAET1281120?

SEAET1281120 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Der Herr ist mein getreuer Hirt, BWV 112: V. Choral "Gutes und die Barmherzigkeit"" by Masaaki Suzuki, Bach Collegium Japan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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