ISRC

SEAEV1331070

Freue dich, erlöste Schar, BWV 30: I. Chorus "Freue dich, erlöste Schar"

Song: Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, I. Coro "Freue dich, erlöste Schar"

Masaaki SuzukiBach Collegium Japan
unmatchedNot yet matched in the MLC database
Released 2013-11-01

Last verified:

SEAEV1331070 is the International Standard Recording Code (ISRC) for the recording "Freue dich, erlöste Schar, BWV 30: I. Chorus "Freue dich, erlöste Schar"" by Masaaki Suzuki, Bach Collegium Japan, released 2013-11-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
AEVRegistrant
13Year (2013)
31070Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

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What is the ISRC for "Freue dich, erlöste Schar, BWV 30: I. Chorus "Freue dich, erlöste Schar"" by Masaaki Suzuki?
The ISRC for "Freue dich, erlöste Schar, BWV 30: I. Chorus "Freue dich, erlöste Schar"" by Masaaki Suzuki, Bach Collegium Japan is SEAEV1331070.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEAEV1331070?

SEAEV1331070 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Freue dich, erlöste Schar, BWV 30: I. Chorus "Freue dich, erlöste Schar"" by Masaaki Suzuki, Bach Collegium Japan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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