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ISRC

USSM10904490

Sonata in A major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo

Song: Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo

Vladimir Horowitz

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USSM10904490 is the International Standard Recording Code (ISRC) for the recording "Sonata in A major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo" by Vladimir Horowitz. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
09Year (2009)
04490Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Sonata in A major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo" by Vladimir Horowitz?
The ISRC for "Sonata in A major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo" by Vladimir Horowitz is USSM10904490.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM10904490?

USSM10904490 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Sonata in A major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo" by Vladimir Horowitz. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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