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ISRC

USSM11207467

Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre

Song: Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre

Chicago Symphony OrchestraSeiji Ozawa

Last verified:

USSM11207467 is the International Standard Recording Code (ISRC) for the recording "Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre" by Chicago Symphony Orchestra, Seiji Ozawa. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
12Year (2012)
07467Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre" by Chicago Symphony Orchestra?
The ISRC for "Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre" by Chicago Symphony Orchestra, Seiji Ozawa is USSM11207467.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM11207467?

USSM11207467 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre" by Chicago Symphony Orchestra, Seiji Ozawa. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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