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ISRC

USSM16801354

Sonata for Piano no. 8 in A minor, K. 300d/310: I. Allegro maestoso

Lili Kraus
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USSM16801354 is the International Standard Recording Code (ISRC) for the recording "Sonata for Piano no. 8 in A minor, K. 300d/310: I. Allegro maestoso" by Lili Kraus. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WOLFGANG AMADEUS MOZART.

Format

USCountry
SM1Registrant
68Year (1968)
01354Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1968):
Last two digits of the reference year (1968). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSonata for Piano no. 8 in A minor, K. 300d/310: I. Allegro maestoso
IPIWOLFGANG AMADEUS MOZART

People also ask

What is the ISRC for "Sonata for Piano no. 8 in A minor, K. 300d/310: I. Allegro maestoso" by Lili Kraus?
The ISRC for "Sonata for Piano no. 8 in A minor, K. 300d/310: I. Allegro maestoso" by Lili Kraus is USSM16801354.
Who wrote "Sonata for Piano no. 8 in A minor, K. 300d/310: I. Allegro maestoso"?
"Sonata for Piano no. 8 in A minor, K. 300d/310: I. Allegro maestoso" was written by WOLFGANG AMADEUS MOZART.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM16801354?

USSM16801354 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Sonata for Piano no. 8 in A minor, K. 300d/310: I. Allegro maestoso" by Lili Kraus. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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