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ISRC

USSM19700831

Symphony no. 4 in E‐flat major “Romantic”: IV. Finale. Bewegt, doch nicht zu schnell

Song: Symphony no. 4 in E-flat major, WAB 104 “Romantische”: IV. Finale. Bewegt, doch nicht zu schnell

Los Angeles PhilharmonicEsa-Pekka Salonen

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USSM19700831 is the International Standard Recording Code (ISRC) for the recording "Symphony no. 4 in E‐flat major “Romantic”: IV. Finale. Bewegt, doch nicht zu schnell" by Los Angeles Philharmonic, Esa-Pekka Salonen. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
97Year (1997)
00831Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1997):
Last two digits of the reference year (1997). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Symphony no. 4 in E‐flat major “Romantic”: IV. Finale. Bewegt, doch nicht zu schnell" by Los Angeles Philharmonic?
The ISRC for "Symphony no. 4 in E‐flat major “Romantic”: IV. Finale. Bewegt, doch nicht zu schnell" by Los Angeles Philharmonic, Esa-Pekka Salonen is USSM19700831.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM19700831?

USSM19700831 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Symphony no. 4 in E‐flat major “Romantic”: IV. Finale. Bewegt, doch nicht zu schnell" by Los Angeles Philharmonic, Esa-Pekka Salonen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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