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  1. Home
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  3. Robert Lloyd
Robert Lloyd is a person, active since 1940.

Robert Lloyd

Person · Active since 1940

ISNI

0000 0001 1440 352X
SourcesMusicBrainz

Verified on

  • MusicBrainz artist record
  • ISNI.org identity 000000011440352X

Credits Graph

Credit Chain

MusicianRobert Lloyd
ISNI0000 0001 1440 352X
RL

Robert Lloyd

Lloyd, Robert

Performer

ISNI: 0000 0001 1440 352X
91Recordings
37Releases

Are you Robert Lloyd? Claim this profile →

Credits

1

Aria for Bass and Orchestra in E-flat major, K. 621a / KV Anh 245: Adagio "Io ti lascio, oh cara, addio"

Robert Lloyd, Mozarteum Orchester Salzburg, Leopold Hager

bass vocals
2

Aria for Bass and Orchestra in F major, K. 416c / KV 433 (Erik Smith completion) "Warnung": "Maenner suchen stets zu naschen"

Robert Lloyd, Academy of St Martin in the Fields, Sir Colin Davis

bass vocals
3

Carmen : Acte I, Nº 10. Finale « Le lieutenant !… Prenez garde. » (Don José, Zuniga, Carmen)

Teresa Berganza, Plácido Domingo, Robert Lloyd, London Symphony Orchestra, Claudio Abbado

bass vocals
4

Carmen : Acte I, Nº 7. Chœur « Au secours ! » (Les Cigarières, Zuniga, Les Soldats)

Patrick Criswell, John McCarthy, Ambrosian Singers, Robert Lloyd, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado

bass vocals
5

Carmen : Acte I. « Allons ! Allons ! » (Zuniga, Chœur des Gamins)

Patrick Criswell, John McCarthy, Ambrosian Singers, Robert Lloyd, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado

bass vocals
6

Carmen : Acte I. « Que son fils l’aime et la venère » (Don José, Micaëla) / « Eh bien, eh bien ! » (Zuniga)

Ileana Cotrubaș, Plácido Domingo, Robert Lloyd, London Symphony Orchestra, Claudio Abbado

bass vocals
7

Carmen : Acte I. « Repos ! » (Zuniga, Moralès, Don José)

Plácido Domingo, Stuart Harling, Robert Lloyd, London Symphony Orchestra, Claudio Abbado

spoken vocals
8

Carmen : Acte I. « Voyons, brigadier… » (Zuniga, Don José, Carmen) / Nº 8. Chanson et Mélodrame « Tra la la la… » (Carmen, Zuniga, Les Cigarières, Un Soldat, Don José)

Patrick Criswell, John McCarthy, Ambrosian Singers, Richard Amner, Teresa Berganza, Plácido Domingo, Robert Lloyd, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado

bass vocals
9

Carmen : Acte II, Nº 13. Couplet (Air du Toréador) « Votre toast… je peux vous le rendre » (Escamillo, tout le monde, Pastia, Zuniga, Carmen) / Nº 13 bis. Chœur « Toréador, en garde » (Chœur, Frasquita, Pastia, Dancaïre, Remendado)

Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Robert Lloyd, George Main, Sherrill Milnes, Alicia Nafé, Geoffrey Pogson, Gordon Sandison, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado

bass vocals
10

Carmen : Acte II, Nº 17. Finale « Holà ! Carmen ! Holà ! » (Zuniga, Don José, Carmen, Dancaïre, Remendado, Les Bohémiens)

Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Plácido Domingo, Robert Lloyd, Geoffrey Pogson, Gordon Sandison, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado

bass vocals
11

Carmen : Acte II. « Tout est bien alors » (Carmen, Zuniga) / Nº 12. Chœur et Ensemble « Vivat ! vivat le toréro ! » (Chœur, Zuniga, Mercédès, Frasquita, Escamillo, Carmen, Andrès, Pastia)

Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Jean Lainé, Robert Lloyd, George Main, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado

bass vocals
12

Carmen : Acte II. « Vous avez quelque chose à nous dire » (Zuniga, Pastia, Frasquita, Andrès, Mercédès, Carmen)

Teresa Berganza, Yvonne Kenny, Jean Lainé, Robert Lloyd, George Main, Alicia Nafé, London Symphony Orchestra, Claudio Abbado

bass vocals
13

Carmen : Acte II. Couplets “Votre toast, je peux vous le rendre”

Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Jean Lainé, Robert Lloyd, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado

bass vocals
14

CARMEN, ACT I: DIALOGUE. DITES-MOI, BRIGADIER

CLAUDIO ABBADO LONDON SYMPHONY ORCHESTRA ROBERT LLOYD PLÁCIDO DOMINGO, GEORGES BIZET,ROBERT LLOYD,PLÁCIDO DOMINGO,LONDON SYMPHONY ORCHESTRA,CLAUDIO ABBADO

bass vocals
15

Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte)

Stuart Burrows, Robert Lloyd, Academy of St Martin in the Fields, Sir Colin Davis

bass vocals
16

Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde)

Norma Burrowes, Robert Lloyd, Academy of St Martin in the Fields, Sir Colin Davis

bass vocals
17

Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)

Robert Lloyd, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis

bass vocals
18

Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" / Akt III, Szene IX. No. 21b Chor der Janitscharen "Bassa Selim lebe lange"

Norma Burrowes, Stuart Burrows, Christiane Eda-Pierre, The John Alldis Choir, Robert Lloyd, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis

bass vocals
19

Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin)

Robert Lloyd, Academy of St Martin in the Fields, Sir Colin Davis

bass vocals
20

Die Zauberflöte, K. 620, Act I: Erster Finale. Wie stark ist nicht dein Zauberton

Barbara Hendricks, June Anderson, Ulrike Steinsky, Jerry Hadley, Robert Lloyd, Thomas Allen, Gottfried Hornik, Sir Charles Mackerras, Scottish Chamber Orchestra, Scottish Chamber Chorus

Performer
21

Die Zauberflöte, K. 620, Act II: Monolog. Nicht wahr, Tamino, ich kann auch schweigen

Barbara Hendricks, June Anderson, Ulrike Steinsky, Jerry Hadley, Robert Lloyd, Thomas Allen, Gottfried Hornik, Sir Charles Mackerras, Scottish Chamber Orchestra, Scottish Chamber Chorus

Performer
22

Die Zauberflöte, K. 620, Act II: Zweites Finale. Tamino mein! O welch ein Glück!

Barbara Hendricks, June Anderson, Ulrike Steinsky, Jerry Hadley, Robert Lloyd, Thomas Allen, Gottfried Hornik, Sir Charles Mackerras, Scottish Chamber Orchestra, Scottish Chamber Chorus

Performer
23

Die Zauberflöte, K. 620: Act II, Scene I. Dialogue "Ihr, in dem Weisheitstempel eingeweihten Diener" (Sarastro)

Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras

bass vocals
24

Die Zauberflöte, K. 620: Act II, Scene I. Dialogue "Sarastro dankt euch" (Sarastro)

Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras

bass vocals
25

Die Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus "Eingeweihte Diener der großen Gotter Osiris und Isis!" (Sarastro)

Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras

bass vocals
26

Die Zauberflöte, K. 620: Act II, Scene IX - XII. Monologue "Morden soll ich?" (Pamina, Sarastro)

Barbara Hendricks, Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras

bass vocals
27

Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro)

Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras

bass vocals
28

Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina)

Barbara Hendricks, Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras

bass vocals
29

Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino)

Jerry Hadley, Barbara Hendricks, Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras

bass vocals
30

Die Zauberflöte, K. 620: Act II, Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro)

Robert Lloyd, Scottish Chamber Orchestra, Charles Mackerras

bass vocals
31

Don Giovanni, K. 527: Act 2. "Don Giovanni, a cenar teco m'invitasti"

Sir Thomas Allen, Robert Lloyd, Simone Alaimo, The Ambrosian Singers, Academy of St Martin in the Fields, Sir Neville Marriner

bass vocals
32

Don Giovanni, K. 527: Act 2. "Don Giovanni, a cenar teco m'invitasti"

Sir Thomas Allen, Robert Lloyd, Simone Alaimo, The Ambrosian Singers, Academy of St Martin in the Fields, Sir Neville Marriner

bass vocals
33

Il trovatore: Act I. “All’erta! all’erta!”

Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
34

Il trovatore: Act I. “Che piu t’arresti?”

Phyllis Cannan, Robert Lloyd, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
35

Il trovatore: Act I. “Di due figli”

Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
36

Il trovatore: Act II. “Ah, se l’error t’ingombra”

Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Yuri Masurok, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
37

Il trovatore: Act II. “E deggio e posso crederlo?”

Phyllis Cannan, José Carreras, Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Yuri Masurok, Katia Ricciarelli, Stefania Toczyska, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
38

Il trovatore: Act II. “Tutto e deserto”

Robert Lloyd, Yuri Masurok, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
39

Il trovatore: Act III. “Giorni poveri vivea”

Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Yuri Masurok, Stefania Toczyska, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
40

Il trovatore: Act III. “In braccio al mio rival!” / “Che fu?”

Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Yuri Masurok, Stefania Toczyska, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
41

Il trovatore: Act III. “Or co’ dadi”

Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
42

Il trovatore: Act III. “Squilli, echeggi la tromba”

Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
43

La clemenza di Tito: Atto I. No. 10 Terzetto “Vengo… Aspettate… Sesto!…”

Dame Janet Baker, Robert Lloyd, Yvonne Minton, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
44

La clemenza di Tito: Atto I. No. 12 Quintetto con coro “Deh conservate, oh Dei”

Dame Janet Baker, Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Yvonne Minton, Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
45

La clemenza di Tito: Atto I. No. 5 Coro. “Serbate, oh Dei custodi”

Stuart Burrows, Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
46

La clemenza di Tito: Atto I. Recitativo “Vedrai, Tito, vedrai”

Dame Janet Baker, Robert Lloyd, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
47

La clemenza di Tito: Atto II. No. 14 Terzetto “Se al volto mai ti senti”

Dame Janet Baker, Robert Lloyd, Yvonne Minton, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
48

La clemenza di Tito: Atto II. No. 16 Aria “Tardi s’avvede”

Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
49

La clemenza di Tito: Atto II. No. 18 Terzetto “Quello di Tito è il volto!”

Stuart Burrows, Robert Lloyd, Yvonne Minton, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
50

La clemenza di Tito: Atto II. No. 26 Sestetto con coro “Tu, è ver, m’assolvi, Augusto”

Dame Janet Baker, Stuart Burrows, Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Yvonne Minton, Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
51

La clemenza di Tito: Atto II. Recitativo “Dove s’intese mai più constumace infedeltà?”

Stuart Burrows, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
52

La clemenza di Tito: Atto II. Recitativo “Già de’ pubblici giuochi”

Stuart Burrows, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
53

La clemenza di Tito: Atto II. Recitativo “No, così scellerato”

Stuart Burrows, Robert Lloyd, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
54

La clemenza di Tito: Atto II. Recitativo “Partir deggio, o restar”

Dame Janet Baker, Robert Lloyd, Yvonne Minton, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
55

La clemenza di Tito: Atto II. Recitativo “Sesto, de’ tuoi delitti”

Dame Janet Baker, Stuart Burrows, Robert Lloyd, Yvonne Minton, Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
56

Le nozze di Figaro: Atto quarto: Finale (concl.) "Gente, gente, all'armi"

John McCarthy, Aldo Baldin, The Ambrosian Singers, Aγνή Mπάλτσα, Barbara Hendricks, Neil Jenkins, Robert Lloyd, Donald Maxwell, Felicity Palmer, Cathryn Pope, Lucia Popp, Ruggero Raimondi, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner

bass vocals
57

Lucia di Lammermoor: Il dolce suono

Edita Gruberová, Bruno Lazzaretti, Robert Lloyd, Renato Bruson, Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Nicola Rescigno

baritone vocals
58

Marsch! Trollt euch Fort! (Nr. 7 Terzett)

Stuart Burrows, Robert Lloyd, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis

bass vocals
59

Mass in C minor, K. 427 "Grosse Messe": 12. Benedictus

Kiri Te Kanawa, Anne Sofie von Otter, Anthony Rolfe Johnson, Robert Lloyd, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner

bass vocals
60

MENTRE TI LASCIO, OH FIGLIA, K.513

Robert Lloyd, Mozarteum Orchester Salzburg, Leopold Hager

bass vocals
61

Recitative and Aria for Bass & Orchestra in F minor, K. 421a/432 (fragment): "Così dunque tradisci… Aspri rimorsi atroci"

Robert Lloyd, Mozarteum Orchester Salzburg, Leopold Hager

bass vocals
62

Recitativo for Bass and Orchestra in F major, K. 512: Allegro molto - andante a tempo - tempo primo "Alcandro, Io confesso" / Aria for Bass and Orchestra in F major, K. 512: Andante - allegretto - tempo primo "Non so d'onde viene"

Robert Lloyd, Mozarteum Orchester Salzburg, Leopold Hager

bass vocals
63

Requiem d-moll KV 626 - Benedictus

Academy of St. Martin in the Fields Chorus, Francisco Araiza, Robert Lloyd, Sylvia McNair, Carolyn Watkinson, Academy of St Martin in the Fields, Sir Neville Marriner

bass vocals
64

Requiem in D minor, K. 626: 3. Sequentia: Lacrimosa

László Heltay, Francisco Araiza, Robert Lloyd, Sylvia McNair, Carolyn Watkinson, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner

bass vocals
65

Requiem in D minor, K. 626: 3. Sequentia: Tuba mirum

Sylvia McNair, Carolyn Watkinson, Francisco Araiza, Robert Lloyd, Academy of St Martin in the Fields, Sir Neville Marriner

bass vocals
66

Solche Hergelaufne Laffen (Nr. 3 Arie)

Robert Lloyd, Academy of St Martin in the Fields, Sir Colin Davis

bass vocals
67

Songs and Dances of Death: I. Cradle Song

Robert Lloyd, The Philadelphia Orchestra, Mariss Jansons

bass vocals
68

Songs and Dances of Death: II. Serenade

Robert Lloyd, The Philadelphia Orchestra, Mariss Jansons

bass vocals
69

Songs and Dances of Death: III. Trepak

Robert Lloyd, The Philadelphia Orchestra, Mariss Jansons

bass vocals
70

Songs and Dances of Death: IV. The Field-Marshall

Robert Lloyd, The Philadelphia Orchestra, Mariss Jansons

bass vocals
71

Szenen aus Goethes Faust: Dritte Abteilung. Wie Felsenabgrund mir zu Füßen

Robert Lloyd, John Shirley-Quirk, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten

bass vocals
72

The Tales of Hoffmann : Malheureuse enfant !

Robert Lloyd, Beverly Sills, Nico Castel, London Symphony Orchestra, Julius Rudel

bass vocals
73

The Tales of Hoffmann : Mon enfant ! Ma fille !

Robert Lloyd, Beverly Sills, Susanne Marsee, Stuart Burrows, Norman Treigle, London Symphony Orchestra, Julius Rudel

bass vocals
74

The Tales of Hoffmann : Pour conjurer le danger

Norman Treigle, Stuart Burrows, Robert Lloyd, London Symphony Orchestra, Julius Rudel

bass vocals
75

The Tales of Hoffmann : Qu'as-tu donc ?

Stuart Burrows, Beverly Sills, Robert Lloyd, Nico Castel, Norman Treigle, London Symphony Orchestra, Julius Rudel

bass vocals
76

Un ballo in maschera: Atto I, scena 1. “La rivedrà nell'estasi”

Kathleen Battle, Renato Bruson, Malcolm King, Robert Lloyd, London Opera Chorus, Luciano Pavarotti, National Philharmonic Orchestra, Sir Georg Solti

bass vocals
77

Un ballo in maschera: Atto I, scena 1. “Posa in pace”

Kathleen Battle, Malcolm King, Robert Lloyd, London Opera Chorus, Luciano Pavarotti, National Philharmonic Orchestra, Sir Georg Solti

bass vocals
78

Un ballo in maschera: Atto I, scena 1. “Volta la terrea” / “Ogni cura si doni al diletto”

Kathleen Battle, Renato Bruson, Malcolm King, Robert Lloyd, London Opera Chorus, Alexander Oliver, Luciano Pavarotti, National Philharmonic Orchestra, Sir Georg Solti

bass vocals
79

Un ballo in maschera: Atto I, scena 2. “È scherzo od è follia”

Kathleen Battle, Malcolm King, Robert Lloyd, London Opera Chorus, Christa Ludwig, Luciano Pavarotti, Margaret Price, Royal College of Music Junior Department Chorus, National Philharmonic Orchestra, Sir Georg Solti

bass vocals
80

Un ballo in maschera: Atto I, scena 2. “Finisci il vaticinio”

Kathleen Battle, Renato Bruson, Malcolm King, Robert Lloyd, London Opera Chorus, Christa Ludwig, Luciano Pavarotti, Peter Weber, National Philharmonic Orchestra, Sir Georg Solti

bass vocals
81

Un ballo in maschera: Atto I, scena 2. “Su profetessa” / “Di’ tu se fedele” / “Orsù, amici”

Kathleen Battle, Malcolm King, Robert Lloyd, London Opera Chorus, Luciano Pavarotti, Royal College of Music Junior Department Chorus, National Philharmonic Orchestra, Sir Georg Solti

bass vocals
82

Un ballo in maschera: Atto II. “Seguitemi” / “Ve’ se di notte”

Renato Bruson, Malcolm King, Robert Lloyd, London Opera Chorus, Margaret Price, Royal College of Music Junior Department Chorus, National Philharmonic Orchestra, Sir Georg Solti

bass vocals
83

Un ballo in maschera: Atto III. “Ah! dessà e là”

Kathleen Battle, Renato Bruson, Malcolm King, Robert Lloyd, London Opera Chorus, Luciano Pavarotti, Royal College of Music Junior Department Chorus, National Philharmonic Orchestra, Sir Georg Solti

bass vocals
84

Un ballo in maschera: Atto III. “D’una grazia vi supplico”

Renato Bruson, Malcolm King, Robert Lloyd, Margaret Price, National Philharmonic Orchestra, Sir Georg Solti

bass vocals
85

Un ballo in maschera: Atto III. “Ella è pura”

Kathleen Battle, Renato Bruson, Malcolm King, Robert Lloyd, London Opera Chorus, Luciano Pavarotti, Margaret Price, Royal College of Music Junior Department Chorus, National Philharmonic Orchestra, Sir Georg Solti

bass vocals
86

Un ballo in maschera: Atto III. “Il messaggio entri” – “Ah! di che fulgor”

Kathleen Battle, Renato Bruson, Malcolm King, Robert Lloyd, Margaret Price, National Philharmonic Orchestra, Sir Georg Solti

bass vocals
87

Un ballo in maschera: Atto III. “Siam soli. Udite” / “Dunque l’onta di tutti sol una”

Renato Bruson, Malcolm King, Robert Lloyd, National Philharmonic Orchestra, Sir Georg Solti

bass vocals
88

Werther : Acte I. « Assez ! Assez ! » - « Noël ! Jésus vient de naître » / « Bravo pour les enfants ! » (Le Bailli, Johann, Schmidt, Sophie)

Isobel Buchanan, Paul Crook, Malcolm King, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
89

Werther : Acte I. « Jésus vient de naître ! » (Les enfants, Werther) / « Charlotte ! Charlotte ! » / « Ah ! Monsieur Werther » (Le Bailli, Charlotte) / « Arrivez-donc, Brühlmann ! » (Le Bailli, Brühlmann, Käthchen, Charlotte, Werther, Sophie)

Donaldson Bell, Isobel Buchanan, José Carreras, Linda Humphries, Robert Lloyd, Frederica von Stade, [theatre], Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
90

Werther : Acte I. « Ô spectacle idéal d’amour et d’innocence » (Werther) / « Monsieur Werther !... » (Le Bailli, Charlotte) / « À ceux-là ne souhaitons rien ! » - « Vivat Bacchus ! » (Le Bailli, Sophie)

Isobel Buchanan, José Carreras, Robert Lloyd, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals
91

Werther : Acte I. « Rêve ! Extase ! Bonheur ! » (Werther, Charlotte) / « Charlotte ! Charlotte ! Albert est de retour ! » (Le Bailli, Charlotte, Werther)

José Carreras, Robert Lloyd, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis

bass vocals

Discography (37)

A Midsummer Night’s Dream

A Midsummer Night’s Dream

2012 · Decca

Die Zauberflöte, K. 620

Die Zauberflöte, K. 620

2008

Die Zauberflöte, K. 620 (Highlights)

Die Zauberflöte, K. 620 (Highlights)

2022

Die Zauberflöte: Highlights

Die Zauberflöte: Highlights

1993 · Telarc Digital

Don Carlo

Don Carlo

2002 · Philips

Don Carlo

Don Carlo

1997 · Philips

Don Carlos

Don Carlos

2002 · Ponto

Don Giovanni

Don Giovanni

1991 · Philips Digital Classics

Don Giovanni: Highlights

Don Giovanni: Highlights

1993 · Philips

Great Mass in C minor

Great Mass in C minor

1994 · Philips Digital Classics

Great Mass in C minor / Ave verum corpus

Great Mass in C minor / Ave verum corpus

1994

Hugh the Drover

Hugh the Drover

1994 · EMI Classics

I Capuleti e i Montecchi

I Capuleti e i Montecchi

2004 · EMI Classics

Il barbiere di Siviglia

Il barbiere di Siviglia

1995 · Philips

Il barbiere di Siviglia

Il barbiere di Siviglia

2010 · Decca

La clemenza di Tito

La clemenza di Tito

1990 · Philips Classics

Lucia di Lammermoor

Lucia di Lammermoor

2017 · Warner Classics

Macbeth

Macbeth

1984 · Philips

Mass in C minor, K. 427

Mass in C minor, K. 427

1987 · EMI Eminence

Messiah

Messiah

1988 · RPO Records (2)

Messiah

Messiah

2006

Norma

Norma

2004

Opera arias & duets

Opera arias & duets

1986 · EMI

Purcell - Birthday Odes for Queen Mary

Purcell - Birthday Odes for Queen Mary

1976

Requiem

Requiem

1991 · Philips Classics

Requiem

Requiem

2005 · EMI Classics

Requiem K626 (Beyer Version) / "Great" Mass In C Minor K427

Requiem K626 (Beyer Version) / "Great" Mass In C Minor K427

2008 · EMI Classics

Rigoletto

Rigoletto

1998 · Philips Digital Classics

Rigoletto Highlights

Rigoletto Highlights

2001 · Philips Classics

Samson et Dalila

Samson et Dalila

1991 · Deutsche Grammophon

Samson et Dalila

Samson et Dalila

1998 · Erato

Symphony no. 9 "Choral"

Symphony no. 9 "Choral"

1990 · Telarc

The Apostles

The Apostles

1994 · Chandos

The Apostles

The Apostles

2014

Werther

Werther

2006 · Philips

Werther

Werther

1987 · Philips Classics

Werther

Werther

2012 · Decca

Who is Robert Lloyd?

Robert Lloyd is a performer, active since 1940.

Our database contains 91 recordings and 37 releases credited to Robert Lloyd. Credits data is sourced from the Mechanical Licensing Collective (MLC), MusicBrainz (CC0), and Spotify.

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