3 Romances sans paroles, op. 17: I. Andante, quasi allegretto

3 Romances sans paroles, op. 17: III. Andante moderato

4 Bagatelles, op. 28: No. 1. Aus der Zopfzeit

4 Bagatelles, op. 28: No. 2. Kleiner Mohrentanz

6 Pieces, op. 51 no. 6: Valse sentimentale

8 Pièces brèves, op. 84: I. Capriccio in E-flat major

8 Pièces brèves, op. 84: II. Fantaisie in A-flat major

8 Pièces brèves, op. 84: V. Improvisation in C-sharp minor

8 Pièces brèves, op. 84: VII. Allégresse in C major

9 Préludes, op. 103: No. 2 in C-sharp minor

9 Preludes, op. 103: No. 4 in F Major

9 Preludes, op. 103: No. 8 in C minor

Amazing Grace, Postlude

Amazing Grace, Prelude

Ave Maria

Bagatellen, op. 28: III. Wiener Tanzweise

Bagatellen, op. 28: IV. Kosakenritt

Beau Soir

Chega de Saudade

Elegiac Melodies, op. 34: I. The Wounded Heart

Ellens Gesang III, op. 52 no. 6, D. 839 "Ave Maria"

Fantasia on Waltzing Matilda

First Concerto for Piano and Orchestra in A minor, op. 9: I. Moderato quasi andantino – Poco meno mosso – Allegro – Più mosso – Meno mosso, tranquillo – Andante – Più mosso – Allegro moderato – Più mosso – Poco tranquillo – Molto meno mosso – Più mosso – Più mosso – Andante – Poco più mosso – Poco meno mosso – Andante molto sostenuto – Tempo I (Andantino) – Allegro moderato

First Concerto for Piano and Orchestra in A minor, op. 9: IIa. Tema. Moderato –

First Concerto for Piano and Orchestra in A minor, op. 9: IIb. Variation 1. L’istesso tempo –

First Concerto for Piano and Orchestra in A minor, op. 9: IIc. Variation 2. Allegro assai – Andante –

First Concerto for Piano and Orchestra in A minor, op. 9: IId. Variation 3. (Andante) – Poco più mosso –

First Concerto for Piano and Orchestra in A minor, op. 9: IIe. Variation 4. [ ] – Vivace – Più mosso – Tempo I –

First Concerto for Piano and Orchestra in A minor, op. 9: IIf. Variation 5. Funebre (Tempo di marcia moderato) – Maestoso (ma in tempo) –

First Concerto for Piano and Orchestra in A minor, op. 9: IIg. Coda (Tempo di tema) –

First Concerto for Piano and Orchestra in A minor, op. 9: III. Vivace marcato – Più mosso – Meno mosso – Più mosso – Vivace (Tempo I) – Cadenza. Lento rubato – Andantino – Allegro – Quasi tempo I (poco meno mosso) – Tempo I (Vivace) – Coda. Più mosso

Five Pieces in the Popular Style, op. 102: I. Vanitas vanitatum

Five Songs, op. 37: IV. Was It a Dream?

Fourth Concerto for Piano and Orchestra, op. 99 "Prague": I. Allegro molto e energico – Meno mosso. Improvisato – Tempo I

Fourth Concerto for Piano and Orchestra, op. 99 "Prague": II. Molto sostenuto. Improvisato – Molto espressivo – Molto sostenuto

Fourth Concerto for Piano and Orchestra, op. 99 "Prague": III. Vivo – Più mosso. Con brio

Fugata

Goin’ Home, from Symphony no. 9 in E minor, “From the New World”, op. 95, B. 178

Gracias a la vida

Gypsy Songs, op 55: IV. Songs My Mother Taught Me

Il bell’Antonio, Tema III

Jewish Song, from Jewish Life, no. 3

La Gitana

Le Grand Tango

Les Chemins de l’amour

Londonderry Air (Danny Boy)

Lullaby, op 49 no. 4

Marietta’s Lied, from Die tote Stadt

Méditation from Thaïs

Moscow Nights

Ol’ Man River

Over the Rainbow

Papillon, op. 77

Pavane pour une infante défunte

Prière, op. 158 in G major. Andante

Quartet to the End of Time: Louange à l’éternité de Jésus

Rain Falling from the Roof

Romance for Cello and Piano

Romance, op. 36 in F major. Moderato

Romance, op. 69

Salut d’amour, op. 12

Scarborough Fair

Second Concerto for Piano and Orchestra in G minor, op. 23: I. Allegro moderato – L’istesso tempo – Più mosso – Adagio molto sostenuto – Cadenza (Andante con moto – Poco più mosso – Poco sostenuto, ma con fuoco – Più mosso) – Tempo I (Ma poco più animato)

Second Concerto for Piano and Orchestra in G minor, op. 23: II. Andantino semplice – Andantino con moto – Meno mosso – Tempo I

Second Concerto for Piano and Orchestra in G minor, op. 23: III. Allegro molto – L’istesso tempo – Poco meno mosso – Doppio meno mosso – Tempo I (Doppio più mosso) – Poco più mosso

Shenandoah

Siete canciones populares españolas, G. 40, nº 5: Nana

Solveig’s Song, from Peer Gynt

Sonata for Cello and Piano, op. 6: I. Allegro ma non troppo

Sonata for Cello and Piano, op. 6: II. Adagio – Presto – di nuovo Adagio

Sonata for Cello and Piano, op. 6: III. Allegro appassionato

Sonata no. 1 in C minor, op. 32: I. Allegro

Sonata no. 1 in C minor, op. 32: II. Andante tranquillo sostenuto

Sonata no. 1 in C minor, op. 32: III. Allegro moderato

Sonata no. 2 in F major, op. 123: I. Maestoso, largamente

Sonata no. 2 in F major, op. 123: II. Scherzo con variazioni

Sonata no. 2 in F major, op. 123: III. Romanza

Sonata no. 2 in F major, op. 123: IV. Allegro ma non troppo, grazioso

Song Without Words, op. 109

Souvenir d'un lieu cher for Violin and Piano, op. 42: III. Mélodie

Suite Bergamasque: III. Clair de lune

Tango Jalousie

The Carnival of the Animals: The Swan

The Last Rose of Summer

The Swan. Andante grazioso

Third Concerto for Piano and Orchestra in D major, op. 50: I. Allegro molto – Poco più mosso – Cadenza (Sostenuto – Allegro molto) – Tempo I – Poco più mosso

Third Concerto for Piano and Orchestra in D major, op. 50: II. Andante con moto – Pochissimo più mosso – Ancora pochissimo più mosso – Tempo I

Third Concerto for Piano and Orchestra in D major, op. 50: III. Presto – [ ] – Tempo I (Prestissimo)

Three Preludes: Prelude no. 1

Thula Baba

Tres minutos con la realidad

Trois mélodies, op. 7: I. Après un rêve

Violin Sonata in A major: IV. Allegretto poco mosso

Violin Sonata no. 1 in E minor, op. 29: I. Allegro deciso

Violin Sonata no. 1 in E minor, op. 29: II. Molto sostenuto

Violin Sonata no. 1 in E minor, op. 29: III. Allegro molto e decido

Violin Sonata no. 2 in E minor, op. 36a: I. Langsam

Violin Sonata no. 2 in E minor, op. 36a: II. Presto

Violin Sonata no. 2 in E minor, op. 36a: III.

Waltz, op. 34 no. 2