UPC · Album

Piano Concertos 3 & 5 / "Overture on Hebrew Themes" / "Autumnal"

Prokofiev, Vladimir Ashkenazy, André Previn

028944812725
10 tracksReleased 1996-01-01Decca

Last verified:

028944812725 is the Universal Product Code (UPC barcode) for the release Piano Concertos 3 & 5 / "Overture on Hebrew Themes" / "Autumnal" by Prokofiev, Vladimir Ashkenazy, André Previn, released 1996-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 10 tracks, each with its own ISRC. Tracks include GBF077411970, GBF077411980, GBFO77400021.

Format

0Number system
28944Manufacturer
81272Product
5Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCPiano Concertos 3 & 5 / "Overture on Hebrew Themes" / "Autumnal"
ISRC10 recordings
IPI1 songwriter

Track List (10)

Overture on Hebrew Themes, op. 34
Sergei Prokofiev
Autumnal, op. 8
Sergei Prokofiev
Piano Concerto no. 3 in C major, op. 26: I. Andante – Allegro
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
Piano Concerto no. 3 in C major, op. 26: III. Allegro, ma non troppo
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
Piano Concerto no. 5 in G major, op. 55: I. Allegro con brio
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
Piano Concerto no. 5 in G major, op. 55: II. Moderato ben accentuato
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
Piano Concerto no. 5 in G major, op. 55: III. Toccata: Allegro con fuoco
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
Piano Concerto no. 5 in G major, op. 55: IV. Larghetto
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
Piano Concerto no. 5 in G major, op. 55: V. Vivo
Vladimir Ashkenazy, London Symphony Orchestra, André Previn

What other identifiers does this connect to?

Songwriters/Publishers (IPI)

Creative Contributors (ISNI)

People also ask

What is UPC 028944812725?
UPC 028944812725 is the Universal Product Code (barcode) for "Piano Concertos 3 & 5 / "Overture on Hebrew Themes" / "Autumnal"" by Prokofiev, Vladimir Ashkenazy, André Previn, released on Decca.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028944812725?
UPC 028944812725 contains 10 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 028944812725?

028944812725 is a Universal Product Code (UPC) assigned to Piano Concertos 3 & 5 / "Overture on Hebrew Themes" / "Autumnal" by Prokofiev, Vladimir Ashkenazy, André Previn. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 10 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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