UPC · Release
Golden Age of Pop: I’ll Be Seeing You
Various Artists
Last verified:
610583351422 is the Universal Product Code (UPC barcode) for the release “Golden Age of Pop: I’ll Be Seeing You” by Various Artists, released 2010-01-01 on Time Life. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC. Tracks include DEU241001110, USRC19205976, USRC10100213.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (42)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Butterfly | Andy Williams | T-071.057.336-6 | |
| 2 | Love and Marriage | Dinah Shore, Henri René & His Orchestra | — | |
| 3 | I Need You Now | Eddie Fisher, Hugo Winterhalter and His Orchestra | T-915.670.646-6 | |
| 4 | It’s Not for Me to Say | Johnny Mathis | T-070.907.352-8 | |
| 5 | Banana Boat Song (Day‐O) | Harry Belafonte | T-070.889.426-1 | |
| 6 | I Want You, I Need You, I Love You | Elvis Presley | T-070.904.724-4 | |
| 7 | Papa Loves Mambo | Perry Como | — | |
| 8 | Crying | Roy Orbison | T-073.369.128-5 | |
| 9 | Melodie D'Amour | The Ames Brothers, Hugo Winterhalter and His Orchestra | — | |
| 10 | The Twelfth of Never | Johnny Mathis | T-902.755.001-2 | |
| 11 | On the Street Where You Live | Vic Damone | T-037.659.054-3 | |
| 12 | More | Perry Como | T-070.110.090-4 | |
| 13 | Shangri-la | The Four Coins | — | |
| 14 | I’ll Be Seeing You | Tommy Dorsey and His Orchestra, Frank Sinatra | T-070.086.610-9 | |
| 2-1 | Bye Bye Love | — | ||
| 2-2 | Send for Me | Nat King Cole | T-071.680.079-1 | |
| 2-3 | Poor Little Fool | — | ||
| 2-4 | Young Love | — | ||
| 2-5 | Return to Me | Dean Martin, Gus Levene | T-071.069.382-5 | |
| 2-6 | It’s A Good Day | — | ||
| 2-7 | Beyond The Sea | — | ||
| 2-8 | Ramblin’ Rose | — | ||
| 2-9 | Venus | Frankie Avalon | T-070.195.316-3 | |
| 2-10 | All I Have To Do Is Dream | — | ||
| 2-11 | I Love How You Love Me | — | ||
| 2-12 | Believe What You Say | — | ||
| 2-13 | Those Lazy, Hazy, Crazy Days of Summer | Nat King Cole | T-800.265.042-3 | |
| 2-14 | Mr. Wonderful | — | ||
| 3-1 | Georgia on My Mind | — | ||
| 3-2 | It’s All in the Game | — | ||
| 3-3 | I’m Sorry | Brenda Lee | T-070.240.810-3 | |
| 3-4 | Put Your Head on My Shoulder | — | ||
| 3-5 | Twilight Time | — | ||
| 3-6 | Around the World (in Eighty Days) | Bing Crosby, Buddy Cole & His Orchestra | T-070.001.877-4 | |
| 3-7 | It’s Just a Matter of Time | — | ||
| 3-8 | Who’s Sorry Now | — | ||
| 3-9 | Diana | — | ||
| 3-10 | Only You | — | ||
| 3-11 | Endlessly | — | ||
| 3-12 | I Want to Be Wanted | — | ||
| 3-13 | Puppy Love | Paul Anka | T-070.243.021-4 | |
| 3-14 | Old Cape Cod | — |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Papa Loves Mambo | Perry Como | T-070.164.880-7 |
| Banana Boat Song (Day-o) | Harry Belafonte | T-070.889.426-1 |
| Papa Loves Mambo | Perry Como | T-070.164.880-7 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 610583351422?
610583351422 is a Universal Product Code (UPC) assigned to Golden Age of Pop: I’ll Be Seeing You by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 42 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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