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UPC · Album

The Bootleg Series, Vol. 4: Live 1966: The “Royal Albert Hall” Concert

Bob Dylan

886977328923
15 tracksReleased 2010-01-01Columbia

Last verified:

886977328923 is the Universal Product Code (UPC barcode) for the release “The Bootleg Series, Vol. 4: Live 1966: The “Royal Albert Hall” Concert” by Bob Dylan, released 2010-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC. Tracks include USSM16600526, USSM16600527, USSM16600528.

Format

8Number system
86977Manufacturer
32892Product
3Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Bootleg Series, Vol. 4: Live 1966: The “Royal Albert Hall” Concert
ISRC15 recordings
ISWC32 works
IPI2 songwriters

Track List (15)

She Belongs to Me
Bob Dylan
USSM16600526
Fourth Time Around
Bob Dylan
USSM16600527
Visions of Johanna
Bob Dylan
USSM16600528
It’s All Over Now, Baby Blue
Bob Dylan
USSM16600529
Desolation Row
Bob Dylan
USSM16600530
Just Like a Woman
Bob Dylan
USSM16600531
Mr. Tambourine Man
Bob Dylan
USSM16600532
Tell Me, Momma
Bob Dylan
USSM16600533
I Don’t Believe You (She Acts Like We Never Have Met)
Bob Dylan
USSM16600534
Baby, Let Me Follow You Down
Bob Dylan
USSM16600535
Just Like Tom Thumb's Blues (live)
Bob Dylan
USSM16600536
Leopard‐Skin Pill‐Box Hat
Bob Dylan
USSM16600537
One Too Many Mornings
Bob Dylan
USSM16600538
Ballad of a Thin Man
Bob Dylan
USSM16600539
Like a Rolling Stone
Bob Dylan
USSM16600540

What other identifiers does this connect to?

Musical Works (ISWC)

T-031.878.590-8T-031878590-8T-042.625.833-4T-042625833-4T-070.249.949-7T-070.249.981-7T-070.250.025-1T-070.250.041-1T-070.250.048-8T-070.250.089-7
+22 more
T-070.250.116-3T-070.250.268-8T-070.250.281-5T-070.250.282-6T-070.250.302-3T-070.250.306-7T-070249949-7T-070249981-7T-070250025-1T-070250041-1T-070250048-8T-070250056-8T-070250077-3T-070250089-7T-070250116-3T-070250268-8T-070250281-5T-070250282-6T-070250302-3T-070250306-7T-309.759.678-2T-309759678-2

Songwriters/Publishers (IPI)

0000895507400008955172

Creative Contributors (ISNI)

0000000121479733

People also ask

What is UPC 886977328923?
UPC 886977328923 is the Universal Product Code (barcode) for "The Bootleg Series, Vol. 4: Live 1966: The “Royal Albert Hall” Concert" by Bob Dylan, released on Columbia.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 886977328923?
UPC 886977328923 contains 15 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 886977328923?

886977328923 is a Universal Product Code (UPC) assigned to The Bootleg Series, Vol. 4: Live 1966: The “Royal Albert Hall” Concert by Bob Dylan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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