Notes.fmCredits.fm
Credits.fm

ISRC

ADA010805913

I'VE GROWN ACCUSTOMED TO YOUR FACE

matched

Last verified:

ADA010805913 is the International Standard Recording Code (ISRC) for the recording "I'VE GROWN ACCUSTOMED TO YOUR FACE". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by F. LOWE, A.J. LERNER.

Format

ADCountry
A01Registrant
08Year (2008)
05913Designation
Country:
ISO 3166-1 alpha-2 country code (AD).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

F. LOWEComposer
CHAPPELL & CO. OriginalPublisher100.00%IPI: 00005876870
A.J. LERNERComposer
CHAPPELL & CO. OriginalPublisher100.00%IPI: 00005876870

Who publishes this song?

CHAPPELL & CO.OriginalPublisher
IPI: 00005876870

MLC Song Code

I19903
Verify on MLC Portal →
SourcesCommunityNotesMLC/MMOA via Notes3 sources

Related

Songwriter profiles

People also ask

What is the ISRC for "I'VE GROWN ACCUSTOMED TO YOUR FACE"?
The ISRC for "I'VE GROWN ACCUSTOMED TO YOUR FACE" is ADA010805913.
Who wrote "I'VE GROWN ACCUSTOMED TO YOUR FACE"?
"I'VE GROWN ACCUSTOMED TO YOUR FACE" was written by F. LOWE, A.J. LERNER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ADA010805913?

ADA010805913 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I'VE GROWN ACCUSTOMED TO YOUR FACE". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

Learn more about ISRCs · Powered by Notes.fm