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ISRC

AEA2Z2527255

PEER GYNT SUITE NO. 2, OP. 55: IV. SOLVEIG'S SONG (ARR. FOR PIANO)

Song: PEER GYNT SUITE NO. 2, OP. 55: IV. SOLVEIG'S SONG

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AEA2Z2527255 is the International Standard Recording Code (ISRC) for the recording "PEER GYNT SUITE NO. 2, OP. 55: IV. SOLVEIG'S SONG (ARR. FOR PIANO)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by EDVARD GRIEG.

Format

AECountry
A2ZRegistrant
25Year (2025)
27255Designation
Country:
ISO 3166-1 alpha-2 country code (AE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPEER GYNT SUITE NO. 2, OP. 55: IV. SOLVEIG'S SONG (ARR. FOR PIANO)
IPIEDVARD GRIEG

Related

Songwriter profiles

EDVARD GRIEGIPI

People also ask

What is the ISRC for "PEER GYNT SUITE NO. 2, OP. 55: IV. SOLVEIG'S SONG (ARR. FOR PIANO)"?
The ISRC for "PEER GYNT SUITE NO. 2, OP. 55: IV. SOLVEIG'S SONG (ARR. FOR PIANO)" is AEA2Z2527255.
Who wrote "PEER GYNT SUITE NO. 2, OP. 55: IV. SOLVEIG'S SONG (ARR. FOR PIANO)"?
"PEER GYNT SUITE NO. 2, OP. 55: IV. SOLVEIG'S SONG (ARR. FOR PIANO)" was written by EDVARD GRIEG.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AEA2Z2527255?

AEA2Z2527255 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "PEER GYNT SUITE NO. 2, OP. 55: IV. SOLVEIG'S SONG (ARR. FOR PIANO)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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