TU PRESENCIA (FEAT. MALA RODRÍGUEZ) album cover

ISRC

ARAE52500175

TU PRESENCIA (FEAT. MALA RODRÍGUEZ)

Song: TU PRESENCIA

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ARAE52500175 is the International Standard Recording Code (ISRC) for the recording “TU PRESENCIA (FEAT. MALA RODRÍGUEZ). ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROQUE GUSTAVO PILATTI ARELLANO, NESTOR RAUL RAMLJAK, BRUNO ROBERTO SIGNAROLI, and others.

Format

ARCountry
AE5Registrant
25Year (2025)
00175Designation
Country:
ISO 3166-1 alpha-2 country code (AR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTU PRESENCIA (FEAT. MALA RODRÍGUEZ)

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People also ask

What is the ISRC for "TU PRESENCIA (FEAT. MALA RODRÍGUEZ)"?
The ISRC for "TU PRESENCIA (FEAT. MALA RODRÍGUEZ)" is ARAE52500175.
Who wrote "TU PRESENCIA (FEAT. MALA RODRÍGUEZ)"?
"TU PRESENCIA (FEAT. MALA RODRÍGUEZ)" was written by ROQUE GUSTAVO PILATTI ARELLANO, NESTOR RAUL RAMLJAK, BRUNO ROBERTO SIGNAROLI, LEONARDO RODRIGUEZ, ARIEL GONZALO SCIACALUGA, MARTIN ANDRES MORTOLA, GERMAN ALEJANDRO BONILLA, FACUNDO JORGE CIMAS, AGUSTIN DIEGO AZUBEL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ARAE52500175?

ARAE52500175 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “TU PRESENCIA (FEAT. MALA RODRÍGUEZ). ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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