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Cable pelado album cover

ISRC

ARUM71800027

Cable pelado2

Song: CABLE PELADO

Peyote Asesino
matched
Released 1998-01-01

Last verified:

ARUM71800027 is the International Standard Recording Code (ISRC) for the recording “Cable pelado” by Peyote Asesino, released 1998-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CARLOS BENIA, NELSON DANIEL CANEDO, FERNANDO ANDRES CAMPODONICO, and others.

Format

ARCountry
UM7Registrant
18Year (2018)
00027Designation
Country:
ISO 3166-1 alpha-2 country code (AR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

CARLOS BENIAComposer
NELSON DANIEL CANEDOComposer
FERNANDO ANDRES CAMPODONICOComposer
JUAN PABLO CASACUBERTAComposer
SANTULLOComposer
JOSE ANTONIOComposer
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Cable pelado" by Peyote Asesino?
The ISRC for "Cable pelado" by Peyote Asesino is ARUM71800027.
Who wrote "Cable pelado"?
"Cable pelado" was written by CARLOS BENIA, NELSON DANIEL CANEDO, FERNANDO ANDRES CAMPODONICO, JUAN PABLO CASACUBERTA, SANTULLO, JOSE ANTONIO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ARUM71800027?

ARUM71800027 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Cable pelado” by Peyote Asesino. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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