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ISRC

ATB159900174

Un ballo in maschera: “Forse la soglia attinse” … “Ma se m’e forza perderti”

Song: Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo)

Enrico CarusoVienna RSOGottfried Rabl
Released 1999-11-01

Last verified:

ATB159900174 is the International Standard Recording Code (ISRC) for the recording "Un ballo in maschera: “Forse la soglia attinse” … “Ma se m’e forza perderti”" by Enrico Caruso, Vienna RSO, Gottfried Rabl, released 1999-11-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ATCountry
B15Registrant
99Year (1999)
00174Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Un ballo in maschera: “Forse la soglia attinse” … “Ma se m’e forza perderti”" by Enrico Caruso?
The ISRC for "Un ballo in maschera: “Forse la soglia attinse” … “Ma se m’e forza perderti”" by Enrico Caruso, Vienna RSO, Gottfried Rabl is ATB159900174.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATB159900174?

ATB159900174 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Un ballo in maschera: “Forse la soglia attinse” … “Ma se m’e forza perderti”" by Enrico Caruso, Vienna RSO, Gottfried Rabl. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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