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Deuxième sonate pour piano et violon, op. 39: IV. Finale. Allegro album cover

ISRC

ATG301296608

Deuxième sonate pour piano et violon, op. 39: IV. Finale. Allegro

Song: Sonata for Violin and Piano no. 2 in A major, op. 39: IV. Finale. Allegro

Thomas Albertus IrnbergerBarbara Moser
Released 2013-06-01

Last verified:

ATG301296608 is the International Standard Recording Code (ISRC) for the recording “Deuxième sonate pour piano et violon, op. 39: IV. Finale. Allegro” by Thomas Albertus Irnberger, Barbara Moser, released 2013-06-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ATCountry
G30Registrant
12Year (2012)
96608Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Deuxième sonate pour piano et violon, op. 39: IV. Finale. Allegro" by Thomas Albertus Irnberger?
The ISRC for "Deuxième sonate pour piano et violon, op. 39: IV. Finale. Allegro" by Thomas Albertus Irnberger, Barbara Moser is ATG301296608.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATG301296608?

ATG301296608 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Deuxième sonate pour piano et violon, op. 39: IV. Finale. Allegro” by Thomas Albertus Irnberger, Barbara Moser. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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