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ISRC

ATG301809807

“Concerto funebre” for Violin and Strings: I. Introduktion (Largo)

Song: Concerto funebre: I. Introduktion. Largo

Thomas Albertus IrnbergerIsrael Chamber OrchestraMartin Sieghart
Released 2018-07-06

Last verified:

ATG301809807 is the International Standard Recording Code (ISRC) for the recording "“Concerto funebre” for Violin and Strings: I. Introduktion (Largo)" by Thomas Albertus Irnberger, Israel Chamber Orchestra, Martin Sieghart, released 2018-07-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ATCountry
G30Registrant
18Year (2018)
09807Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "“Concerto funebre” for Violin and Strings: I. Introduktion (Largo)" by Thomas Albertus Irnberger?
The ISRC for "“Concerto funebre” for Violin and Strings: I. Introduktion (Largo)" by Thomas Albertus Irnberger, Israel Chamber Orchestra, Martin Sieghart is ATG301809807.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATG301809807?

ATG301809807 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "“Concerto funebre” for Violin and Strings: I. Introduktion (Largo)" by Thomas Albertus Irnberger, Israel Chamber Orchestra, Martin Sieghart. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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