Symphony I in C minor, WAB 101 “Vienna Version” (1891): II. Adagio album cover

ISRC

ATG302328302

Symphony I in C minor, WAB 101 “Vienna Version” (1891): II. Adagio

Song: Symphony no. 1 in C-minor, WAB 101: II. Adagio

Altomonte Orchester St. FlorianRémy Ballot
Released 2023-10-06

Last verified:

ATG302328302 is the International Standard Recording Code (ISRC) for the recording “Symphony I in C minor, WAB 101 “Vienna Version” (1891): II. Adagio by Altomonte Orchester St. Florian, Rémy Ballot, released 2023-10-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ATCountry
G30Registrant
23Year (2023)
28302Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Symphony I in C minor, WAB 101 “Vienna Version” (1891): II. Adagio" by Altomonte Orchester St. Florian?
The ISRC for "Symphony I in C minor, WAB 101 “Vienna Version” (1891): II. Adagio" by Altomonte Orchester St. Florian, Rémy Ballot is ATG302328302.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATG302328302?

ATG302328302 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Symphony I in C minor, WAB 101 “Vienna Version” (1891): II. Adagio by Altomonte Orchester St. Florian, Rémy Ballot. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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