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ISRC

ATK940122804

Das Mädchen mit den Schwefelhölzern: Nr. 4. Trio und Reprise („Frier-Arie“ 2.Teil)

Orchester der Staatsoper StuttgartLothar Zagrosek
Released 2002-01-01

Last verified:

ATK940122804 is the International Standard Recording Code (ISRC) for the recording "Das Mädchen mit den Schwefelhölzern: Nr. 4. Trio und Reprise („Frier-Arie“ 2.Teil)" by Orchester der Staatsoper Stuttgart, Lothar Zagrosek, released 2002-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ATCountry
K94Registrant
01Year (2001)
22804Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Das Mädchen mit den Schwefelhölzern: Nr. 4. Trio und Reprise („Frier-Arie“ 2.Teil)" by Orchester der Staatsoper Stuttgart?
The ISRC for "Das Mädchen mit den Schwefelhölzern: Nr. 4. Trio und Reprise („Frier-Arie“ 2.Teil)" by Orchester der Staatsoper Stuttgart, Lothar Zagrosek is ATK940122804.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATK940122804?

ATK940122804 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Das Mädchen mit den Schwefelhölzern: Nr. 4. Trio und Reprise („Frier-Arie“ 2.Teil)" by Orchester der Staatsoper Stuttgart, Lothar Zagrosek. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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