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ISRC

ATK941751101

Beginning

Weronika DziedzicMaciej JarońCezary KonradAdam KośmiejaDavid KrakauerMateusz ŁasowskiJustyna PtaszyńskaDawid SzurmiejMikołaj Trzaska
Released 2017-05-01

Last verified:

ATK941751101 is the International Standard Recording Code (ISRC) for the recording "Beginning" by Weronika Dziedzic, Maciej Jaroń, Cezary Konrad, Adam Kośmieja, David Krakauer, Mateusz Łasowski, Justyna Ptaszyńska, Dawid Szurmiej, Mikołaj Trzaska, released 2017-05-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ATCountry
K94Registrant
17Year (2017)
51101Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Beginning" by Weronika Dziedzic?
The ISRC for "Beginning" by Weronika Dziedzic, Maciej Jaroń, Cezary Konrad, Adam Kośmieja, David Krakauer, Mateusz Łasowski, Justyna Ptaszyńska, Dawid Szurmiej, Mikołaj Trzaska is ATK941751101.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATK941751101?

ATK941751101 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Beginning" by Weronika Dziedzic, Maciej Jaroń, Cezary Konrad, Adam Kośmieja, David Krakauer, Mateusz Łasowski, Justyna Ptaszyńska, Dawid Szurmiej, Mikołaj Trzaska. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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