ISRC

ATMA40505254

SONATE FÜR VIOLONCELLO SOLO, OP. 25 NO.3: III. LANGSAM

Song: """SONATE FÜR VIOLONCELLO SOLO, OP. 25, NR. 3: II. MÄSSIG SCHNELL, GEMÄCHLICH """

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ATMA40505254 is the International Standard Recording Code (ISRC) for the recording “SONATE FÜR VIOLONCELLO SOLO, OP. 25 NO.3: III. LANGSAM. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PAUL HINDEMITH.

Format

ATCountry
MA4Registrant
05Year (2005)
05254Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

PAUL HINDEMITHComposer
SCHOTT MUSIC OriginalPublisher100.00%IPI: 00146539850

Who publishes this song?

SCHOTT MUSICOriginalPublisher
IPI: 00146539850
SourcesMLC

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People also ask

What is the ISRC for "SONATE FÜR VIOLONCELLO SOLO, OP. 25 NO.3: III. LANGSAM"?
The ISRC for "SONATE FÜR VIOLONCELLO SOLO, OP. 25 NO.3: III. LANGSAM" is ATMA40505254.
Who wrote "SONATE FÜR VIOLONCELLO SOLO, OP. 25 NO.3: III. LANGSAM"?
"SONATE FÜR VIOLONCELLO SOLO, OP. 25 NO.3: III. LANGSAM" was written by PAUL HINDEMITH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATMA40505254?

ATMA40505254 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SONATE FÜR VIOLONCELLO SOLO, OP. 25 NO.3: III. LANGSAM. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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