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ISRC

ATMA40505685

PIANO QUINTET NO. 1 IN C MINOR, OP. 1: ALLEGRO

Song: PIANO CONCERTO NO.1 IN C MINOR

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ATMA40505685 is the International Standard Recording Code (ISRC) for the recording “PIANO QUINTET NO. 1 IN C MINOR, OP. 1: ALLEGRO”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ERNST VON DOHNANYI.

Format

ATCountry
MA4Registrant
05Year (2005)
05685Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ERNST VON DOHNANYIComposer
JOSEF WEINBERGER OriginalPublisher0.00%IPI: 00032654202
BOOSEY & HAWKES INC RightsAdministrator100.00%IPI: 00053686755

Who publishes this song?

JOSEF WEINBERGEROriginalPublisher
IPI: 00032654202
BOOSEY & HAWKES INCRightsAdministrator
IPI: 00053686755
SourcesMLC

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People also ask

What is the ISRC for "PIANO QUINTET NO. 1 IN C MINOR, OP. 1: ALLEGRO"?
The ISRC for "PIANO QUINTET NO. 1 IN C MINOR, OP. 1: ALLEGRO" is ATMA40505685.
Who wrote "PIANO QUINTET NO. 1 IN C MINOR, OP. 1: ALLEGRO"?
"PIANO QUINTET NO. 1 IN C MINOR, OP. 1: ALLEGRO" was written by ERNST VON DOHNANYI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATMA40505685?

ATMA40505685 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “PIANO QUINTET NO. 1 IN C MINOR, OP. 1: ALLEGRO”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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