BASSOON SONATA IN G MAJOR, OP. 168: II. ALLEGRO SCHERZANDO album cover

ISRC

ATMA40507886

BASSOON SONATA IN G MAJOR, OP. 168: II. ALLEGRO SCHERZANDO

Song: BASSOON SONATA IN G MAJOR, OP. 168 I. ALLEGRO MODERATO II. ALLEGRO SCHERZANDO III. MOLTO ADAGIO--ALLEGRO MODERATO

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ATMA40507886 is the International Standard Recording Code (ISRC) for the recording “BASSOON SONATA IN G MAJOR, OP. 168: II. ALLEGRO SCHERZANDO. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CAMILLE SAINT-SAENS.

Format

ATCountry
MA4Registrant
05Year (2005)
07886Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBASSOON SONATA IN G MAJOR, OP. 168: II. ALLEGRO SCHERZANDO

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What is the ISRC for "BASSOON SONATA IN G MAJOR, OP. 168: II. ALLEGRO SCHERZANDO"?
The ISRC for "BASSOON SONATA IN G MAJOR, OP. 168: II. ALLEGRO SCHERZANDO" is ATMA40507886.
Who wrote "BASSOON SONATA IN G MAJOR, OP. 168: II. ALLEGRO SCHERZANDO"?
"BASSOON SONATA IN G MAJOR, OP. 168: II. ALLEGRO SCHERZANDO" was written by CAMILLE SAINT-SAENS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATMA40507886?

ATMA40507886 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “BASSOON SONATA IN G MAJOR, OP. 168: II. ALLEGRO SCHERZANDO. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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