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WALTZES, OP. 70: NO. 1 IN G-FLAT MAJOR, MOLTO VIVACE album cover

ISRC

ATMA40510291

WALTZES, OP. 70: NO. 1 IN G-FLAT MAJOR, MOLTO VIVACE

Song: WALTZ IN G FLAT MAJOR - OP. 70, NO. 1

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ATMA40510291 is the International Standard Recording Code (ISRC) for the recording “WALTZES, OP. 70: NO. 1 IN G-FLAT MAJOR, MOLTO VIVACE”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RICHARD ANDREW CANAVAN.

Format

ATCountry
MA4Registrant
05Year (2005)
10291Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWALTZES, OP. 70: NO. 1 IN G-FLAT MAJOR, MOLTO VIVACE
IPIRICHARD ANDREW CANAVAN

Related

Songwriter profiles

RICHARD ANDREW CANAVANIPI

People also ask

What is the ISRC for "WALTZES, OP. 70: NO. 1 IN G-FLAT MAJOR, MOLTO VIVACE"?
The ISRC for "WALTZES, OP. 70: NO. 1 IN G-FLAT MAJOR, MOLTO VIVACE" is ATMA40510291.
Who wrote "WALTZES, OP. 70: NO. 1 IN G-FLAT MAJOR, MOLTO VIVACE"?
"WALTZES, OP. 70: NO. 1 IN G-FLAT MAJOR, MOLTO VIVACE" was written by RICHARD ANDREW CANAVAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATMA40510291?

ATMA40510291 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “WALTZES, OP. 70: NO. 1 IN G-FLAT MAJOR, MOLTO VIVACE”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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