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ISRC

ATMA40511358

CONCERTO FOR TRUMPET, BASSOON AND STRINGS: III. VIVACE

Song: CONCERTO FOR TRUMPET AND BASSOON WITH STRING ORCH.

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ATMA40511358 is the International Standard Recording Code (ISRC) for the recording “CONCERTO FOR TRUMPET, BASSOON AND STRINGS: III. VIVACE”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PAUL HINDEMITH.

Format

ATCountry
MA4Registrant
05Year (2005)
11358Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

PAUL HINDEMITHComposer
EMI MILLS MUSIC INC OriginalPublisher100.00%IPI: 00129995030

Who publishes this song?

EMI MILLS MUSIC INCOriginalPublisher
IPI: 00129995030
SourcesMLC

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People also ask

What is the ISRC for "CONCERTO FOR TRUMPET, BASSOON AND STRINGS: III. VIVACE"?
The ISRC for "CONCERTO FOR TRUMPET, BASSOON AND STRINGS: III. VIVACE" is ATMA40511358.
Who wrote "CONCERTO FOR TRUMPET, BASSOON AND STRINGS: III. VIVACE"?
"CONCERTO FOR TRUMPET, BASSOON AND STRINGS: III. VIVACE" was written by PAUL HINDEMITH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATMA40511358?

ATMA40511358 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “CONCERTO FOR TRUMPET, BASSOON AND STRINGS: III. VIVACE”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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