ISRC

ATMA40900092

HORN CONCERTO NO. 4 IN E-FLAT MAJOR, K. 495: III. RONDO. ALLEGRO VIVACE

Song: RONDO FROM HORN CONCERTO NO.4 IN E FLAT MAJOR K495

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ATMA40900092 is the International Standard Recording Code (ISRC) for the recording “HORN CONCERTO NO. 4 IN E-FLAT MAJOR, K. 495: III. RONDO. ALLEGRO VIVACE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WOLFGANG AMADEUS MOZART, JACK LONG.

Format

ATCountry
MA4Registrant
09Year (2009)
00092Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHORN CONCERTO NO. 4 IN E-FLAT MAJOR, K. 495: III. RONDO. ALLEGRO VIVACE

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People also ask

What is the ISRC for "HORN CONCERTO NO. 4 IN E-FLAT MAJOR, K. 495: III. RONDO. ALLEGRO VIVACE"?
The ISRC for "HORN CONCERTO NO. 4 IN E-FLAT MAJOR, K. 495: III. RONDO. ALLEGRO VIVACE" is ATMA40900092.
Who wrote "HORN CONCERTO NO. 4 IN E-FLAT MAJOR, K. 495: III. RONDO. ALLEGRO VIVACE"?
"HORN CONCERTO NO. 4 IN E-FLAT MAJOR, K. 495: III. RONDO. ALLEGRO VIVACE" was written by WOLFGANG AMADEUS MOZART, JACK LONG.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATMA40900092?

ATMA40900092 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “HORN CONCERTO NO. 4 IN E-FLAT MAJOR, K. 495: III. RONDO. ALLEGRO VIVACE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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