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ISRC

ATMA41100219

TRIO, OP. 114: NO. 3, ANDANTE GRAZIOSO

Song: PIANO TRIO NO. 3 IN C MINOR, OP. 101: PIANO TRIO NO. 3 IN C MINOR, OP. 101: ANDANTE GRAZIOSO

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ATMA41100219 is the International Standard Recording Code (ISRC) for the recording “TRIO, OP. 114: NO. 3, ANDANTE GRAZIOSO”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHANNES BRAHMS, YO-YO MA, EMANUEL AX, and others.

Format

ATCountry
MA4Registrant
11Year (2011)
00219Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTRIO, OP. 114: NO. 3, ANDANTE GRAZIOSO
IPIJOHANNES BRAHMS

Related

Songwriter profiles

JOHANNES BRAHMSIPI

People also ask

What is the ISRC for "TRIO, OP. 114: NO. 3, ANDANTE GRAZIOSO"?
The ISRC for "TRIO, OP. 114: NO. 3, ANDANTE GRAZIOSO" is ATMA41100219.
Who wrote "TRIO, OP. 114: NO. 3, ANDANTE GRAZIOSO"?
"TRIO, OP. 114: NO. 3, ANDANTE GRAZIOSO" was written by JOHANNES BRAHMS, YO-YO MA, EMANUEL AX, LEONIDAS KAVAKOS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATMA41100219?

ATMA41100219 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “TRIO, OP. 114: NO. 3, ANDANTE GRAZIOSO”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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