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ISRC

ATMA42100068

SUITE FOR HARP, OP. 83: TOCCATA

Song: SUITE FOR HARP OP. 83

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ATMA42100068 is the International Standard Recording Code (ISRC) for the recording “SUITE FOR HARP, OP. 83: TOCCATA”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by OSIAN ELLIS, BRITTEN.

Format

ATCountry
MA4Registrant
21Year (2021)
00068Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

OSIAN ELLISComposer
FABER MUSIC LIMITED OriginalPublisher0.00%IPI: 00053332998
FABER MUSIC OriginalPublisher100.00%IPI: 00053332998
BRITTENComposer
FABER MUSIC LIMITED OriginalPublisher0.00%IPI: 00053332998
FABER MUSIC OriginalPublisher100.00%IPI: 00053332998

Who publishes this song?

FABER MUSIC LIMITEDOriginalPublisher
IPI: 00053332998
FABER MUSICOriginalPublisher
IPI: 00053332998
SourcesMLC

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People also ask

What is the ISRC for "SUITE FOR HARP, OP. 83: TOCCATA"?
The ISRC for "SUITE FOR HARP, OP. 83: TOCCATA" is ATMA42100068.
Who wrote "SUITE FOR HARP, OP. 83: TOCCATA"?
"SUITE FOR HARP, OP. 83: TOCCATA" was written by OSIAN ELLIS, BRITTEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATMA42100068?

ATMA42100068 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SUITE FOR HARP, OP. 83: TOCCATA”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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