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SONG OF THE INDIAN GUEST (SADKO)(SUNG IN RUSSIAN) album cover

ISRC

ATP139715311

SONG OF THE INDIAN GUEST (SADKO)(SUNG IN RUSSIAN)

Song: SONG OF THE INDIAN GUEST

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ATP139715311 is the International Standard Recording Code (ISRC) for the recording “SONG OF THE INDIAN GUEST (SADKO)(SUNG IN RUSSIAN)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NICOLAS ANDR RIMSKIJ KORSAKOVICH, ARPAD PEJTSIK.

Format

ATCountry
P13Registrant
97Year (1997)
15311Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1997):
Last two digits of the reference year (1997). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSONG OF THE INDIAN GUEST (SADKO)(SUNG IN RUSSIAN)
IPINICOLAS ANDR RIMSKIJ KORSAKOVICH

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Songwriter profiles

NICOLAS ANDR RIMSKIJ KORSAKOVICHIPI

People also ask

What is the ISRC for "SONG OF THE INDIAN GUEST (SADKO)(SUNG IN RUSSIAN)"?
The ISRC for "SONG OF THE INDIAN GUEST (SADKO)(SUNG IN RUSSIAN)" is ATP139715311.
Who wrote "SONG OF THE INDIAN GUEST (SADKO)(SUNG IN RUSSIAN)"?
"SONG OF THE INDIAN GUEST (SADKO)(SUNG IN RUSSIAN)" was written by NICOLAS ANDR RIMSKIJ KORSAKOVICH, ARPAD PEJTSIK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATP139715311?

ATP139715311 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SONG OF THE INDIAN GUEST (SADKO)(SUNG IN RUSSIAN)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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