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NOW WE WAIT album cover

ISRC

ATR981208376

NOW WE WAIT

Song: WE COULD WAIT FOREVER

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ATR981208376 is the International Standard Recording Code (ISRC) for the recording “NOW WE WAIT”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ATTICUS ROSS, TRENT REZNOR.

Format

ATCountry
R98Registrant
12Year (2012)
08376Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ATTICUS ROSSComposer
ANTHEM COLORFUL DRAWINGS MUSIC OriginalPublisher33.33%IPI: 01003140249
TRENT REZNORComposer
ANTHEM NEW COLORFUL PICTURE MUSIC OriginalPublisher0.00%IPI: 01003141246
SONY TIMBER PUBLISHING OriginalPublisher66.67%IPI: 01079904915

Who publishes this song?

ANTHEM COLORFUL DRAWINGS MUSICOriginalPublisher
IPI: 01003140249
ANTHEM NEW COLORFUL PICTURE MUSICOriginalPublisher
IPI: 01003141246
SONY TIMBER PUBLISHINGOriginalPublisher
IPI: 01079904915
SourcesMLC

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People also ask

What is the ISRC for "NOW WE WAIT"?
The ISRC for "NOW WE WAIT" is ATR981208376.
Who wrote "NOW WE WAIT"?
"NOW WE WAIT" was written by ATTICUS ROSS, TRENT REZNOR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATR981208376?

ATR981208376 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “NOW WE WAIT”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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