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ISRC

ATR981216892

PIANO QUINTET IN F MINOR, OP. 34: I. ALLEGRO MA NON TROPPO (LIVE)

Song: PIANO QUINTET IN F MINOR OP. 34: I. ALLEGRO NON TROPPO

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ATR981216892 is the International Standard Recording Code (ISRC) for the recording “PIANO QUINTET IN F MINOR, OP. 34: I. ALLEGRO MA NON TROPPO (LIVE)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHANNES BRAHMS.

Format

ATCountry
R98Registrant
12Year (2012)
16892Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPIANO QUINTET IN F MINOR, OP. 34: I. ALLEGRO MA NON TROPPO (LIVE)
IPIJOHANNES BRAHMS

Related

Songwriter profiles

JOHANNES BRAHMSIPI

People also ask

What is the ISRC for "PIANO QUINTET IN F MINOR, OP. 34: I. ALLEGRO MA NON TROPPO (LIVE)"?
The ISRC for "PIANO QUINTET IN F MINOR, OP. 34: I. ALLEGRO MA NON TROPPO (LIVE)" is ATR981216892.
Who wrote "PIANO QUINTET IN F MINOR, OP. 34: I. ALLEGRO MA NON TROPPO (LIVE)"?
"PIANO QUINTET IN F MINOR, OP. 34: I. ALLEGRO MA NON TROPPO (LIVE)" was written by JOHANNES BRAHMS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATR981216892?

ATR981216892 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “PIANO QUINTET IN F MINOR, OP. 34: I. ALLEGRO MA NON TROPPO (LIVE)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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